There's a shiver down the spine
of the body map...
How come everything gets so physical?
With your finger on the pulse and
your head in the clouds
Everything's so tactile
In your private world,
In your little world.
Chorus:
Under the skin you search for paradise
Under the skin some kind of parasite
remains concealed
Under the skin a true identity, a memory
will soon be revealed... under the skin.
Hit that button, no time to lose -
Everything's so immediate,
You'd have it all right now
If you get to choose
In your private world,
Such a tiny world
Is something out to get you under the skin?
Full of the promise of paradise?
Paradise now?
Everything gets so physical,
Everything's so immediate
In your private world,
Such a tiny world
Does something get to you
under the skin?
He made a bit of money,
That's something you might like to know
He'll be drinking in the cafe on the corner
After the show
He's been so many people
he wore them all like poisoned vests
still playing the soliloquy from Hamlet
close to his chest.
Where do the actors go
after the show?
Where do the actors go?
He had his hour of glory,
that's something you should keep in mind
When he's drinking in the cafe on the corner
there's no sense of time
just waiting on for Godot,
convinced he's been here years before...
he's taken that philosophy in German
square on the jaw
Where do the actors go
after the show?
Where do the actors go?
He made a bit of money
that's something you might like to know
he'll be drinking in the cafe on the corner
after the show
Where do the actors go
after the show?
Where do the actors go?
It's not that complicated,
no more than a clench of fist -
she want to paint her heart out,
she want to tell it as she sees it is.
Authority condemns her,
they say to paint's a waste
without a base,
some bedrock of idea.
Painting by numbers doesn't add up,
Painting by numbers doesn't add up,
it's passionless bed-rest,
work-body that's headless,
a head that's without heart -
painting by numbers doesn't add up to art.
Her constant vows mean nothing,
not content alone that sells -
The Market Theory beckons,
no-one remembers what the story tells,
no-one remembers passion,
we just recite the line
that art is fine and fashion costly.
Painting by numbers doesn't add up;
safety in numbers, put your hands up
in mute surrender...
they'll break her or bend her
for the heart on her sleeve.
Painting by numbers all the modern world believes.
And the whole thing falls apart
when the movement's more important than the art;
when we're more concerned
with what's been thought than said
this is the moment when the culture's dead.
It's not that complicated,
it's simple as can be:
she want to paint her heart out,
they want a programme for the B.B.C.
where academic critics can talk of art that's fine
like holy wine - the Blessed Intellectuals!
Painting by numbers, safety in numbers...
The poets from Venus assume that they've seen us -
they're quick to depart.
Painting by numbers doesn't add up to art.
Turn a card, turn a page, the action
sure to start, second-stage reaction
to illogical thoughts on random lines
in a Borges dream we move toward
the writing of lives.
Leave it out, leave it in, no edits -
with a shout, with a grin I said
it was a certainty that I'd arrive
in an Escher sketch we walk around
the drawing of lines.
The character uncertainty
as he contemplates his lot
and tries to move with urgency
though he's rooted to the spot.
On the brink, on the edge, but lately
what I think, what I said escapes me
in a flash, a tiger burning bright
does the visionary trance obscure
the burgeoning night?
And she said "What are you doing?"
And he said "What do you think?"
Oh, no,
what on earth are we doing?
The characters procrastinate
on the threshold of the door;
there's something here that fascinates,
though the meaning's still unsure
and the plot so thick...
is it some kind of history?
Sketch the thumbnail to the quick.
Oh, even though it's full of contradiction,
though it's flawed in the design
this is no fiction, it's a lifeline.
Here we are, there we went, full circle
shooting stars, heaven-sent, turned turtle
on the beach are shells are left behind
life a library, like a memory
of our ghost-written lives.
All the words in the world
wouldn't make you stay this evening
though I scrabble around for any I can say...
So hard to take our leave,
so hard to stop believing.
I guess we know this silence well enough,
and you'll be going by and by;
I'm scared that anything I offer
might be taken for a lie.
CH: All said and done,
and there's no way to make it any different,
I hold my tongue as you're walking away.
So goodbye comes -
oh, I don't want to make it difficult
but nothing's easy
when there's nothing left to say.
Now we only talk as though time were heavy weather
with a storm-cloud brewing on each hasty phrase...
all the words in the world wouldn't put us back together.
Maybe we had our opportunities,
most of those chances passed us by;
I'm scared that anything I offer
might be taken as a bribe.
A perfect date to hesitate.
I hope it won't be too long.
You're a sucker for the punch
and the telegraph bells are ringing
now it's coming to the crunch
as you stumble on the Jaffa Gate.
I think you know how it happens on the stage
when the heavenly choir are singing
you've been taken by a perfect date.
You made the Mount of Venus your Jerusalem,
you're marking time as symbol for debate,
you hope to find some moment close to infinite,
you hope to find a perfect date.
A perfect date to hesitate.
The future beckons us on.
There comes a time to hesitate -
I hope it won't be too long.
You're a sucker for the punch...
...you've been taken by a perfect date.
You've been playing on a hunch
and the strings of your heart are zinging:
Yeh, you cut loose from the bunch
But that doesn't mean you've sealed your fate
I think you know how it happens
Though it's strange
When the heavenly choir start singing
You've been taken by a perfect date
Four pails of water and a bagfull of salts
That is all we are, that is all a man comprises
Chemicals alone with no spirit, soul or ghost
Nothing so bizarre
No amount of faith disguises what is true
is what we fear the most
Nothing can survive save the things
men leave behind them
Any other case would be really too absurd
If thoughts remained alive
Surely modern science would find them
No, the soul is nothing but a word
All the wonders Man achieves
emerge from cerebral tissue
Chemical reactions' ebb and surge
From that Thing that is you...
It's a sad philosophy
But better sad than wrong
Face the truth instead
When you're dead you're dead,
When you're gone you're gone
Now she's gone
Four pails of water and a bagfull of salts
That is all she was, all my lover represented -
That sounds just as mad as saying she will never die
Fools may clutch at straws
but truth must not be circumvented
As the tree falls, so must that tree lie!
No that sounds so odd
Once I would have preached it brightly
Now questions appear I rationally can't ignore...
Nothingness or God
Which of them seems more unlikely?
Once I would have answered clearly
Now I only think I'm nearly sure
(Chris Judge Smith)
In the here and now...
Between sensation at the nerve-ends
And arrival of information at the cortex
Time elapses
So, you see, each time we touch
We did so in the past
Now, lover,
Slicing through time in a perfect curve
Due for a moment of energy
Somehow we'll get what we most deserve
In the here and now
In the here and now
Although completely different people
In the moments before and after having sex
We are time-locked
Cracked, forgotten statues, we are
strangled in the undergrowth
Lost in ancient magic, we are motion
We are wonderful flow
We are time-locked,
Unknowing of the code, but addicted to the pulse
Now, lover,
Melt in the crucible, flesh and blood
Bodies consumed by the catalyst,
Somehow we'll raise our sights from the mud
We are always now,
We are Always Now!
If we were always here and now
Instead of slightly, now and then
So immaterial, so lost, embracing all
The grace that comes before the fall
If we were always here and now
Electric shiver in the spine
How could we turn away, see life as grey and drab?
How come we don't see what we have?
If we were always here and now
Soul to soul and skin to skin...
Is it some kind of make-believe,
Is it some kind of dream we're in
With a mint copy of original sin?
In the here and now...
Between sensation at the nerve-ends
And arrival of information at the cortex
Time elapses
Cracked, forgotten statues, we are
strangled in the undergrowth,
Lying on the mattress of the magic
and the wonderful
Nothing really matters as we're
sucked in by the undertow...
We are Motion, we are Feeling, we are Now!
Although completely different people
In the moments before and after having sex
We are time-locked, we are time-locked,
Though we know each time we touch
We did so in the past
Now come on, come on, lover
Slicing through time in a perfect curve
Due for a moment of energy
Somehow we'll get what we most deserve...
In the here and now
Melt in the crucible flesh and blood
Bodies consumed by the catalyst
Surrender to nothing, welcome the flood
of the here and now
Slicing through time in a perfect curve
Due for a moment of energy
Somehow we'll get what we most deserve
Melt in the crucible, flesh and blood
Bodies, consumed by the catalyst
Surrender to nothing, nip the thought in the bud
We are always now,
We are Always Now!
If we were always here and now...
There was something in the conversation
Ancient languages were breaking through
I was falling for infatuation
How about you?
You say it's nothing special
That's just the way it is...
You hit me where I live
Though I drink the cup it leaves me thirsting
What on earth am I supposed to do?
When I try to speak I find my bursting
heart is full of you...
You say it's only natural
You say forget and forgive...
You hit me where I live
I was once the man who felt no passion
I was nothing till I fell for you
You're a duellist (dualist) in your own fashion
Eyes that run me through...
You say that it's a mixed blessing
But I should take the gift you give
You hit me where I live
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